27th July 2015: Celebrating two new Aussie YA voices

I wish I had more time to talk about other people’s work. So much great stuff has come out in Australia this year. Two new writers in particular have crossed my path.

In the Skin of a Monster by Kathryn Barker will be launched this Thursday at Kinokuniya in Sydney at 6pm (RSVP 92627996 ) As I said in my blurb  “One of the most original novels I’ve read for a long time.”

It’s powerful, has a great premise and a strong voice. (And what a great cover)

Synopsis: Three years ago, Alice’s identical twin sister took a gun to school and killed seven innocent kids; now Alice wears the face of a monster. It’s a small town and no one can stand to even look at her. But when Alice encounters her sister on a deserted highway, ‘bad’ is just the beginning. Alice soon finds herself trapped in a dangerous new reality: a broken world that’s filled with the nightmares of everyone in the community.

Here, with old secrets finally coming together, Alice is forced to confront the true impact of everything that happened that day in the schoolyard … including her hidden connection to the boy who hates her most.

IntheSkinofaMonster-1Extract:

‘I know what you are,’ he whispered, just loud enough for me to hear. His voice was stripped back to the bare essentials of hate and something else, something raw.

I held my breath… and I realised that I was waiting for him to tell me, because I honestly didn’t know.

All I could think was, What? What am I? I wished someone would give me an answer, instead of Dr Ben crapping on about me being ‘my own person’ and everyone from town only ever seeing a monster in me. And what was I now? What was I now that I was in the body of some twisted, dreamt-up version of you?

I was so desperate for any kind of answer that I was prepared to let Lux tell me. Prepared to let anyone tell me. But he didn’t. He didn’t say another word. He just sat there, letting me suffer.

In the three years after what you did I was pretty careful not to hate anybody. Hate wasn’t a good sign when you were in my particular situation. Strong emotions were to be carefully avoided, et cetera. But in that moment I made an exception. For the first time since what you did I allowed myself the indulgence of truly hating someone back. And you know what? Dr Ben was right all along – hate really is a gateway drug. One little taste, and pretty soon you’re into the hard stuff. 

Next, is The Flywheel by Erin Gough.  It doesn’t matter if you’re gay or straight, it’s got what I love in novels; great characters, relationships, a strong funny voice and a great sense of place.  I spoke on the same panel as Erin in May at the Sydney Writer’s Festival (and Laurie Halse Anderson and Barry Jonsberg).

Synopsis: Seventeen-year-old Delilah’s crazy life is about to get crazier. Ever since her father took off overseas, she’s been struggling to run the family’s cafe without him and survive high school. But after a misjudged crush on one of the cool girls, she’s become the school punchline as well. With all that’s on her plate she barely has time for her favourite distraction – spying on the beautiful Rosa, who dances flamenco at the tapas bar across the road.

The_Flywheel_Cover_RGB_for online

Excerpt: The tall girl with the red skirt is Angeline. Ramon, all in black, is her brother. The other girl, her dark hair parted down the middle and fixed with a tortoiseshell comb, is their cousin. Her name is Rosa Barea, and she is the reason I stand here watching: watching and imagining, as she dances, her arms around my waist, and my hands on her hips.

Erin Gough says, “I wanted to write a book with a gay character more or less comfortable with her identity, and to give readers who may not have seen themselves represented in YA before that thrill of recognition, and the message that they matter.” 


30th June 2015: The joys and woes of film adaptations

Yesterday I read a wonderful article in the online Australian Guardian about the film adaptation of Looking For Alibrandi. (see attachment below)

Back in 2000, the film came out on the same day as Gladiator and the same year as Chopper, two well made and acted films about men and violence. In a way, it seemed as if we didn’t stand a chance, yet Alibrandi found a place for itself. But dare I ask over and over again, where is the cultural diversity in our films and TV shows today? There are less Josie Alibrandi types on Australian screens these days than fifteen years ago. Some might see that as assimilation, but I’d  say it’s regression.

To be honest, I sometimes wonder if Alibrandi would have been made in today’s Australian film climate, and not just because of cultural identity.  Getting distribution for films is so much about risk taking, and if there’s something that I’ve come to understand from the Jellicoe experience, it’s that distributors won’t take risks when it comes to adaptations about teenagers that don’t have millions of readers or a ready-made market.  Which is such a pity because Alibrandi didn’t have millions of readers, but the novel struck a nerve in the way that both the Jellicoe novel and script has.  Let’s hope that one day Jellicoe will become a reality because Taylor Markham is fearless and vulnerable and annoying and endearing in the same way Josie Alibrandi is.

http://www.theguardian.com/film/2015/jun/30/looking-for-alibrandi-australia-best-teen-movie

4th June 2015: Ett Folk Utan Land

Finnikin of the Rock has been released in Sweden.  The title translates roughly as a People without a land which is pretty spot on.  Below is as an interview I did with Kulturkollo.

I hate promising anything when it comes to my writing, but I’ve said often enough that I’d love to have the next Lady Celie novella out this year. So I’m writing little crumbs as they come to me, but they are lovely crumbs that feature one of my favourite characters, Isaboe.

ett-folk-utan-land

http://translate.google.com/translate?hl=en&sl=sv&u=http://www.kulturkollo.se/2015/06/03/kulturkollo-moter-melina-marchetta/&prev=search

 

 

22nd May 2015: The new novel

I’m very happy to be able to speak about the next novel after it was announced publicly today.

It’s a crime thriller called Shaming the Devil and will be published by LIttle Brown in the US and Penguin Books in Australia sometime later next year.  I’m about to start the edit, so very exciting.  The reaction from those who have read this early draft has been humbling. I will talk more about the process leading up to this draft in future posts but probably won’t go too much more into the content, except for the synopsis.  As much as I can’t say it’s written in the same genre I’ve been used to before with YA and fantasy, I do believe it carries the same emotional punch with its large cast of characters and as much as it may seem very London, there is a very strong Australian presence in it. I’m hoping that all my readers who have grown up with my work these past twenty years, will love it.

Also, I will be speaking at the Sydney Writer’s Festival down at Walsh Bay this Sunday at 1.30 with Erin Gough, Laurie Halse Anderson and Barry Jonsberg.  Very much looking forward to our chat.  From past festivals, I would not advise leaving it to the last minute because I have spent many a time as a spectator not getting in.

Here is the synopsis.

Bashir “Bish” Ortley is a London desk cop.  Almost over it.  Still not deaing with the death of his son years ago, as well as the break up of his marriage. 

Across the channel, a summer bus tour, carrying a group of English teenagers is subject to a deadly bomb attack, killing four of the passengers and injuring a handful of others. Bish’s daughter is one of those on board. 

The suspect is 17 year old Violette LeBrac whose grandfather was responsible for a bombing that claimed the lives of dozens of people fourteen years ago; and whose mother, Noor, has been serving a life sentence for the part she was supposed to have played in the attack.

As Bish is dragged into the search for the missing Violette, he finds himself reluctantly working with Noor LeBrac and her younger brother, Jimmy Sarraf.

And the more he delves into the lives of the family he helped put away, the more Bish realizes that they may have got it wrong all those years ago, and that truth wears many colours.  Especially when it comes to the teenagers on board the recent bus bombing. Including his daughter. 

Tell the truth. Shame the devil.  Bish can’t get Violette LeBrac’s words out of his head. But what he may get is some sort of peace with his own past as the worlds of those involved in two bombings, years apart, collide into the journey of his life.

26th March 2015: Pink Penguin

PinkAlibrandi Wonderful news coming soon about my next novel, but for the time being something new about something old.

Yet another Alibrandi cover I love.  More than anything I love the cause. Preventing breast cancer and supporting the McGrath Foundation which was co-founded by the late Jane McGrath and Glenn McGrath. This edition comes out on the 19th of April at $9.95. Here is the blurb from the Penguin website.

The McGrath Foundation raises money to place McGrath Breast Care Nurses in communities right across Australia and to increase breast awareness in young women. The McGrath Foundation believes 150 of these specially trained nurses are needed to ensure that every family experiencing breast cancer has access to a breast care nurse, no matter where they live or their financial situation.  McGrath Breast Care Nurses offer a unique service to families who can self-refer to this free support. www.mcgrathfoundation.com.au

I also have a non fiction piece in an anthology published by Pan Macmillan called Mothers and Others.  It has an amazing list of writers attached and I’m pretty excited being part of it.  I think it comes out on the 1st of April.

9781743535431

1st December 2015: Alice Pung…Room to Read…books and hope….

I launched a novel a couple of weeks back called Laurinda by Alice Pung.  Alice is the writer of two memoirs including the award-winning, Polished Gem, as well as a copious amount of published essays. This is her first novel.

laurinda I loved this book. I loved the  protagonist, Lucy Lam. Great character. Great sense of humour. Laurinda has drawn comparisons to the feature film, “Mean Girls, but I think Tina Fey would have written a much more powerful film if Lucy Lam, and not the Lindsay Lohan character was the new girl.

Lucy Lam’s home life was a joy to read. (Can I say that I crave novels that reflect our cultural diversity and I despair that our literature, film and television has failed to do this. But that’s for another post). It’s strange to say a joy when the character’s father is the only surviving member of his family as a result of the Vietnam war.  That family history is there in the psyche of the novel, but ultimately, Alice wrote a funny and thought-provoking novel full of heart and backbone, and this one made me a tad envious as a fellow writer.

I have a few connections to Alice. The most important is that we have a mutual friend in Jennie Orchard who works for Room to Read, an international non-profit organization founded by John Wood focusing on literacy and the education of girls in developing countries.  I try not to dabble in stats because I know people’s eyes glaze over, but Jennie drew my attention to the article below and this particular fact wedged itself into my brain:   57 million children will never start primary school (http://www.bbc.com/news/education-26947829)

Room to Read is challenging that statistic.  “If every child received an education, 171 million people would be lifted out of poverty”. More to the point –  World change starts with educated children.

This is part of what Jennie had to say.

“Room to Read has now educated more than 28,000 girls, providing them not only with academic and material support but also health education and life skills such as critical thinking and communication, understanding their rights. I have remained involved with Room to Read because I am passionate about its twin ‘pillars of emphasis’, literacy and girls’ education…Room to Read is making it possible for children in the most inaccessible and impoverished communities to learn to read, empowering them to break the cycle of poverty that has imposed such limitations upon their parents and grandparents. It is so exciting to witness the transformative power of education for individuals, for families and for whole communities….

Don’t be put off by the sentiment that first world aid is patronising. Room to Read is emphatic about locals teaching and building these schools. It’s not a case of middle class white people coming in and taking over. Dare I quote Evanjalin from Finnikin of the Rock, ‘It’s against the rules of human nature to believe there is nothing we can do.”

Alice Pung is an ambassadors for Room to Read, as are many other Australian writers.   (And I’m sure there are international writers attached to their own country’s Room to Read branch).  Australian Children’s writer, Tristan Bancks, for example,  initiated the “change the world” campaign in 2014. With the help of school kids and organisation across the country, Tristan raised over $20,000 to build a school library in Cambodia. I know he’s planning something bigger and better in 2015 so please find a way to get involved, especially if you’re connected to a school. (http://www.tristanbancks.com/p/change-world.html).

One last thing. I was at a library yesterday as part of Sydney Writer’s Festival and I heard a volunteer telling a story about one of the kids at a primary school in her area.  I can’t go into details about how horrific the story began, but it ended with this particular boy being given a box of second-hand books and his emotional reaction to it.  Those of us listening to the story were a bit weepy. Many kids at that primary school are from a low socio-economic background or are children of refugees.  Many have never owned their own book.

It disturbs me to hear stories like that for more than one reason. My daughter received seven Frozen dolls for her birthday, yet there are kids living not even ten miles away from us who don’t even own a book.   So if you’re in the Sydney area, or even interstate, and have a picture book or chapter book or anything for primary aged kids (mostly picture books because a large amount of the kids don’t speak English)  please feel free to contact Sue on (02) 9632 9709. She’s the librarian at that primary school and will advise you where to send the book. In a conversation with her today,  she mentioned that her greatest wish would be for every kid at that school to have their own book sitting on their desk on the first day of Term 1 in 2015. That’s quite amazing when you hear schools vowing that every kid in their school will have an iPad on their desk by 2015, and even more sobering when the Unesco prediction in 1990 was that by the year 2000 there’d be primary education for all, and that was shuffled forward to 2015 and now there’s talk that it could happen in 2030.

Jennie  reminded me of the words of the youngest noble prize winner,  Malala.

 . . . ‘let us wage a global struggle against illiteracy, poverty and terrorism and let us pick up our books and pens. They are our most powerful weapons. One child, one teacher, one pen and one book can change the world. Education is the only solution.’

(Below is Jennie Orchard’s complete interview about her work with Room to Read)
It is now getting on for 10 years since I first heard about Room to Read, a global non-profit which is committed to literacy and gender equality through education. I first became interested because I had strong connections with a number of the countries where Room to Read works – my husband had lived and worked in Laos and we had married there; my father had lived for a while in India; and we had travelled with our sons in Nepal, Cambodia and Vietnam.
 My first responsibility as a volunteer was to co-chair the Students Helping Students program in Hong Kong, where we were living at the time. This role gave me the opportunity to learn more about the organisation and, a couple of years later, when we were returning to live in Sydney, I was asked to think about establishing the fundraising presence in Australia. This turned out to be a far greater responsibility than I had envisaged and for the next four or five years, I invested very long hours, working with a team of volunteers to launch Room to Read’s Sydney chapter, later helping to build other chapters around the country and in New Zealand, eventually becoming the inaugural Development Director Australasia. In mid-2012, we returned to live in Hong Kong and I resigned from this position. I now focus on building connections with writers, publishers, literary festivals and conferences. We have around 25 writers and journalists promoting the organisation in various ways in Australia and we are starting to build this initiative across Room to Read’s global chapter network. There are volunteer chapters in more than 50 cities around the world.
 I have remained involved with Room to Read because I am passionate about its twin ‘pillars of emphasis’, literacy and girls’ education. Having a publishing background myself, I have always understood the importance of books and reading. Room to Read is making it possible for children in the most inaccessible and impoverished communities to learn to read, empowering them to break the cycle of poverty that has imposed such limitations upon their parents and grandparents. It is so exciting to witness the transformative power of education for individuals, for families and for whole communities. As Malala has said . . . ‘let us wage a global struggle against illiteracy, poverty and terrorism and let us pick up our books and pens. They are our most powerful weapons. On child, one teacher, one pen and one book can change the world. Education is the only solution.’
 Gender equality is also vitally important in today’s world. Girls’ education has been described by Kofi Annan, former UN Secretary General, as the most effective tool for development. Room to Read has now educated more than 28,000 girls, providing them not only with academic and material support but also health education and life skills such as critical thinking and communication, understanding their rights.
 Room to Read is working in 10 developing countries in Asia and Africa, building schools, establishing libraries, publishing children’s books in local languages, developing and delivering literacy programs, and educating girls. Founded in 2000, the results over the past 15 years have been quite phenomenal. In 2015 the organisation will reach its 10 millionth child, this being the goal that was originally set for 2020. John Wood and Erin Ganju, the Founders of Room to Read, both come from high-flying corporate backgrounds and apply their exceptional business acumen to every aspect of the organisation.  The results have attracted extensive support from corporates and individuals around the globe.
 Room to Read has been extremely well-received in Australia, with around $10m raised in the first five years of operation. Even though we’re not running programs in Australia, people understand the importance of educating young people in developing countries, particularly those in the Asia-Pacific region. This also makes economic sense, given that the populations of countries such as India, Sri Lanka and Vietnam are potential customers for Australian goods. There is also a strong connection between education and global security.
We are always looking for more support – for donors, obviously, but also volunteers to become involved with our chapters in Sydney, Brisbane, Melbourne, Canberra and Perth. If people are interested in learning more about Room to Read, I suggest subscribing to the newsletter for global updates (https://www.roomtoread.org/joinus). For local information, take a look at the information about Room to Read in Australia (http://www.roomtoread.org/Australasia) and get in touch with your local chapter. You can also follow the organisation on Twitter or Facebook.
 
 
 
 
 

 

 

30th November 2014: Jellicoe (Again)

 

I’m going to blog more than once this week, and I thought I’d start with Jellicoe because my work as the script writer is now complete.

Readers have told me again and again that Jellicoe, the novel, is magic for them. Always flattering and always at the back of my head as a bench mark for the next novel and the next.  This year has been about finding the magic in the script. When I say that I’ve finished working on the Jellicoe script again, it doesn’t mean re-writes per se. I tend to think of the Jellicoe editing as  “enhancement’.  Remember, that the story itself isn’t what attracted many people to the novel.  It was also Taylor’s narrative voice and the structure. In adaptation, the narrative voice is the first to go so it’s been hard work tracking Taylor’s emotional journey without the aid of voice over. But the challenge has been satisfying. I loved writing this prickly angry tough fragile girl in the script as much as I loved writing her in the novel.

One of the more important changes I’ve introduced has revolved around the Boarders.  In the novel, all the Boarders are part of Taylor’s faction, but in the script the story takes place during the school holidays and revolves around the thirty or so Boarders who are state wards and are left behind, year after year, because they have nowhere else to go. It establishes a yearning amongst them to win at something for the first time in their lives. They are the perpetual losers in the wars and in life. None of that is said, of course.  But it is visually there on their faces when their school mate are picked up by parents. It’s interesting how a scene like that can change the psyche of the script without really having to change much elsewhere.

So this is what happens now. In the New Year, the script gets sent to the funding bodies and distributors.  It’s never been so tough to make a film in this country as now,  so I’ve been told often enough that this draft has to be close to perfect. No pressure there. And then it’s not just about the script.  Films are hard to finance without a big international name.  You can’t really blame those who fund films for asking, because then you’ll have to ask yourself when was the last time you went to see a film that didn’t have a big name or when was the last time you paid to see a film with unknown Aussie actors.  I’d love to make a great film with unknown Aussie actors because I have seen so much remarkable young talent in the auditions.  I’d also love to make a great film with an international name although young international names are hard to get because they have a team of people looking after them and it’s difficult to get a script into their hands. It’ doesn’t mean we won’t try to and it doesn’t mean we’ll go for an a-lister, because sometimes an up-and-coming actor is as important and just as talented (think Jennifer Lawrence for those of you who, like me, went to see Winter’s Bone and realized she was an up and coming actor.  Very few film goers knew who she was when she was cast as Katniss).

So I haven’t lost faith in Jellicoe being made in 2015. And  watch this space early in the year because there will be some interesting stuff online to get the momentum going.

On a much more personal note, we celebrated my daughter’s birthday yesterday. It’s been exactly a year since she came to live with me.  It’s interesting that so many people have asked me whether the subject material in my writing has been influenced by having her in my life this year.  The novel I’ve completed is a thriller set in London revolving around two bombings, thirteen years apart, and the impact it has on the family of the accused. So no influence at all, but a fair enough question.

Next year I’ll speak more about the novel, but for now I’ll share this image of the birthday girl.

website